Today begins the
pre-order for M-Brane SF's first anthology
Things We Are Not. I've mentioned this anthology a couple other times on my blog, but I've had a lot to say that I've been saving for this specific occasion. Because, while I've been in quite a few anthologies now, I've never been as excited and happy as I am to be in this one. And the main reason for that is the great and wonderful Chris Fletcher.
While I've had the good fortune to work with some wonderful editors on various zines and anthologies in the past, Chris has always stood out as something special from the first moment I heard of him. While perusing Duotrope one day looking for places to send my stories I saw a new listing for something called
M-Brane SF, and I clicked on it. I know that some authors are leery of sending their work out to new and unknown markets, but I've found quite a bit of luck with them. Oftentimes I find that the editors of new zines are more enthusiastic, having not been beaten down yet by the grind of producing a publication month after month. Unfortunately, many of these editors give up soon after they discover just how much work this is.
But when I read Chris Fletcher's thoughts and guidelines for
M-Brane that first time, I knew I had found something unique. I could try to post an abbreviated version of them here, but it might easier if you
looked at them yourself (they're in the column on the left). The first thing that jumped out at me were what he put under "silmu-subs" and "multi-subs:"
"Yeah, sure, who cares?"
Really? Well, most other editors, that's who cares. But I've never really seen why. I'm not going to rag on any other editors' practices, since obviously most other editors have come to a system that works well for them and helps them create damned fine magazines, but this was an interesting attitude. Chris shows a similar attitude with the section for submission format: "Though I don't really care so long as it's readable." He even accepts manuscripts in .docx format. I've NEVER seen an editor accept in .docx format before, even though it would make things easier for me as a writer sometimes.
That was when I first began to see a difference with Chris. He wasn't approaching his new zine in the way an editor would. He was approaching it first and foremost as a reader, as a fan. He didn't really care how the submission came to him, as long as that submission was good.
This attitude is only solidified if you read further down in the guidelines. He says it much better than I can, but the short of it is he doesn't care what sub-genre of sci-fi you send him, or what cliches it may contain, or if it has what other editors consider to be "questionable content." He basically sees sci-fi as something wide open, not confined by any number of editors' personal prejudices. Anything goes, just make it good.
I sent him something, and he accepted. I've sent him other things since then, some of which he's accepted and some he hasn't. But every single correspondence I've had with him has been a treat. This man really loves sci-fi, and he wants to publish the best he can find. Sure, every editor says that, but I've never before run into any that were anywhere near as personable and intense about it as Chris (although I should give credit to both Dr. Pus of Library of the Living Dead Press and Matthew Bey of Space Squid for coming incredibly close). Chris has a lot of ideas about what to do with
M-Brane and what should become of sci-fi, and all of them are good. I can't begin to talk about them all here, but you would be wise to take a look at the
M-Brane blog and go through some of his past posts. There is much to think about in there as far as the state of on-line magazine publishing and sci-fi.
And now Chris has gone beyond just the magazine and is trying his hand at actual book publishing with
Things We Are Not. The anthology is a collection of GLBT sci-fi stories, and I have never seen a publisher put this much effort into an anthology before. Prior to today's pre-order, Chris has been doing everything from running a contest to see which cover to use for it, a fund drive to take care of production costs, and multiple blog entries spotlighting each of the authors. He has sent emails to the authors updating them of EVERY SINGLE DEVELOPMENT related to the anthology. This is unheard of. Some editors accept a story, and then the next time the authors hear from them is when they get their check and contributor copy in the mail. Chris, however, isn't most editors. Chris is something truly special, and I fully believe that science fiction will one day hail him as one of the great editors.
So do yourself a favor. Pre-order a copy of
Things We Are Not. If the anthology is anything like its editor, it will be truly amazing.